Music

South DaCola music club with YOU!

I don’t know why I think of this stuff when I wakeup in the middle of the night? Why does my brain only function at three in the morning? I think that night job I had for 3 years really screwed with my creativity.

Enough about me, What do you think would make the ultimate band? (you can also include dead musicians since this is a fantasy anyway).

 LEAD VOCALS: Morissey (The Smiths) or Nina Simone

PIANO/BACKING VOCALS: Nick Cave (Bad Seeds) or Tom Waits

BASS: Mingus or Entwistle (The Who)

RHYTHM GUITAR: Izzy Stradlin (G & R) or Wayne Kramer (MC 5)

LEAD GUITAR: Jimi Hendrix, Rory Gallagher or Richard Thompson (Fairport Convention)

DRUMS: John Bonham (Led Zepp) or Stewart Copeland (The Police)

Whadda You think?

South Dacola Music Club with BR5-49

The Mrs. got me this album last year for Christmas and I’ve had it in the rotation ever since. I’ve been a fan of BR5-49 for a while, but this is my favorite album yet – next to the live album, anyway. I could go on about why it’s a good album, but instead of sounding like Patrick Bateman (who is currently returning some video tapes), I’ll let this guy do the talking:

When BR549 were dropped by Sony following the critical and commercial disappointment of 2001’s This Is BR549, and bassist Jay McDowell and guitarist and vocalist Gary Bennett responded to this news by leaving the band, it wasn’t difficult to imagine that Lower Broadway’s finest had become a spent force. But thankfully, BR549 have not only bounced back from a severely rough patch, they’ve returned with their finest studio album since their self-titled debut, 2004’s Tangled in the Pines. Blending a lean, roots rock energy with their passionate devotion to traditional country styles, Tangled in the Pines enlivens and updates BR549’s sound far better than that lone Sony release (talk about a pleasant irony), while still reflecting what they do best. New members Geoff Firebaugh (bass) and Chris Scruggs (guitar and vocals) fit the group like a glove, adding new blood without disturbing BR549’s essential personality, and the tart energy of “Movin’ the Country” and “Ain’t Got Time” pushes this band forward without losing track of what made them special. And the all-originals, no-covers set list is a nice reminder that these guys can write songs just as well as they play ’em, a fact that often gets lost in the shuffle. Who knows if BR549 are ever going to break through to the Toby Keith-loving masses, but if they don’t, Tangled in the Pines stands as exceptionally strong proof that it’s the audience that is missing out in that transaction. ~ Mark Deming, All Music Guide

South DaCola music club w/ Jesse Malin and D Generation

Jesse Malin’s first band D Generation’s second album NO LUNCH is a great example of the rebirth of Garage Glam Rock originally started by bands like The New York Dolls and The Dead Boys. The album is very good, but a little head of it’s time. D.G. was popular in their homeland of Canada but the movement didn’t catch on until later in the United States with bands like JET and The Hives.

Malin’s first solo album, produced by famed singer/songwriter Ryan Adams, The Fine Art of Self Destruction, grows on you after awhile. It is kind of a weird mix of

D Generation and Whiskeytown. You either hate it or love it. If you are used to Malin’s voice on NO LUNCH it is a little harder to get used to on a much folkier album like FASD.

Malin’s lyrics remind me a bit like Social Distortion but smarter. You can also tell he is heavily influenced by The Clash.