Music
l3wis 
Post of the Living Dead (ZW minus 3)
Zed de la Muerte 
It is my understanding that the undead population is being discriminated against here in Sioux Falls. The MSM outlets are refusing to give voice to the FACT that there is an impending zombie invasion. For too long we have been under the foot of the MAN. This Saturday we should rise up, give a moan in support of undead rights and gather in retaliation. Let our stinking corpses fill the streets in protest of the oppression brought down upon us by the “air breathers”. We’ll have a rountable discussion about these issues and many more Saturday night around 11PM.
South DaCola music club w/ G & R
I wish I would have gotten this album (Lies) before Appetite for Destruction. It has a much rawer sound and you can tell Axl is actually trying.
Review by Ensio N. Mikkola
I am a huge fan of Guns N’Roses (see my slobbering review of “Appetite for Destruction”) and I regret the fact that they imploded just as they had reached their creative peak. Here’s a nice little snapshop of an L.A. hair metal band (with a ‘tude) coming up through the ranks, kicking butt and taking names as they went along.
“Reckless Life”, like the entire A side (I still think of this as a cassette tape) was first released on the unattainable “Live! Like a Suicide EP”. The song just tears your nuts out. There’s some classic Axl wailing and a classic Slash guitar solo. “Nice Boys” is a Rose Tattoo cover and it’s not bad. Kind of rough around the edges. “Move to the City” is another cover but I can’t remember who wrote the original. “Mama Kin” is also a decent cover of an Aerosmith classic. This is pretty standard stuff – one original song and 3 covers. But then we get to the B side. There’s some budding song-writing talent here with the gentle “Patience”, with it’s whistling intro and acoustic guitars. “Used to Love Her” is a hilarious country-ish song about killing and burying your girlfriend in the backyard. “You’re Crazy” would end up on the “Appetite for Destruction” album, amped and speeded up. But this version is superior. “One in a Million” is a controversial song but perhaps one of the Gunners best slow songs. In my opinion, these are the only Guns albums you need to own.
South DaCola music club w/ Helmet
I credit HELMET and this album Meantime for putting Metallica on the backburner.
Review by A. Stutheit
At the time this album was released (1992), this type of music was called “alternative metal,” but this album (“Meantime”), and this band (Helmet) were, for all intensive purposes, the start of the genre that we know today as nu-metal. Its heavy riffs, stop-start rhythms, and soft-hard song structures were the motivating force behind many `90’s hard rock bands. Thus, Helmet should definitely be considered one of the most influential and important rock bands of the 1990’s. Even super-influential bands like Korn, Pantera and Tool have cited Helmet as an influence.
Musically, it’s clearly evident that frontman Page Hamilton listened to a lot of Black Sabbath while making this record. “Meantime” is full of sludgy riffs and even some Ozzy-esque vocals (which are especially apparent on the song “Unsung”).
Songs like “Ironhead,” “Give It,” “He Feels Bad,” and “You Borrowed” best illustrate Helmet’s famous stop-start rhythms (and “Ironhead” even has fast, almost galloping guitars), and “Unsung” and “Turned Out” have the aforementioned sludgy riffs, which lurch and almost bob. Elsewhere,”In the Meantime” has a heavy, grooving main riff, “Better” and “Role Model” should quench your cravings for a heavy song (“Better” has some heavy yells, and “Role Model” has heavy, churning riffs), and “F.B.L.A. II” has a guitar solo and some everything-but-the-kitchen sink drumming.
For whatever reason, this album has aged very well (better than most nu-metal records). This may be because Helmet were such an original band, or maybe because Page isn’t constantly yelling about “nookies” and hatred. Or maybe it’s because “Meantime” has a few guitar solos, and guitar solos are foreign to almost all other nu-metal bands. But, whatever the reason, Helmet are not normally grouped with nu-metal bands, so they are one of the few bands whose albums sales didn’t plummet when nu-metal collapsed. Thus, it’s OK if your friends know you listen to Helmet–they won’t laugh at you.
In conclusion, this is where nu-metal began, so if you hate nu-metal, you should hate these guys; but everybody who enjoys nu or alternative metal, and those who are fans of Korn, Deftones, Tool, etc. should definitely check out “Meantime.” And even if you don’t listen to Helmet, you should definitely give them props for essentially being a modern day Black Sabbath and creating a whole genre–even though that genre would die off about a decade later.
South DaCola music club w/ LL Cool J
I believe Walking with a Panther came out in 1988? It was the first rap album I ever bought. I still like it to this day. I saw LL in Atlanta about 5 years ago and he did about four tracks off the album including, There Jingling Baby. If you like old skool rap with a mix of R & B this is a great album.
Review by Robert Johnson
Though a big commercial success upon it’s release (it hit the Top Ten and sold Platinum), WALKING WITH A PANTHER is largely considered to be a disappointment by many of LL’s biggest fans. True, it is not in the same league as RADIO or BIGGER AND DEFFER in terms of consistency and cohesiveness, but PANTHER is actually quite good on it’s own terms.
LL’s emotional range as a performer remains as impressive as ever. He can run the gauntlet from explosively bold (“Nitro”) to smoothly seductive (“You’re My Heart”) to deliriously horny (“Jingling Baby”) and back again. The best track is easily the sophisticated jazz-rap tour de force “Going Back To Cali” (#31 Pop, #12 R&B), which had been previously released on the LESS THAN ZERO soundtrack. This surprising maturity is also found in the deep lyrics to “Jealous” (which is one of the more sparsely-produced tracks here) and the disturbing “Fast Peg” (which starts out like a typical ode to lust but comes to a chilling end).
The album’s biggest hit was the boasting “I’m That Type Of Guy” (#15 Pop, #7 R&B, #1 Rap), but the disc’s best macho anthem is actually the tight and very funny “Clap Your Hands.” Unfortunately, LL’s humor mostly falls flat elsewhere, with the dull “Big Ole Butt” and “1-900 LL Cool J” (both of which have no hooks or wit) being the prime offenders. Even worse are the crop of “I Need Love”-rip-offs. “You’re My Heart” succeeds due to LL’s intense performance, but “One Shot At Love” and “Two Different Worlds” are almost laughably lame.
The biggest problem with PANTHER is that it does not have enough quality material to justify it’s long 76 minute runtime and many of the strong tracks get bogged down by filler. However, PANTHER has more than enough strong moments to make it a good release. Interestingly enough, the B-side to the “Going Back To Cali” single (the terrific “Jack The Ripper”) wasn’t included here, even though it’s actually much better than half the songs that did make the cut.